TMA Agency

TMA is a multidisciplinary creative studio across film, television and entertainment, spanning independent projects through to mainstream international productions with high profile clients.

We bring together people, ideas and production expertise to shape meaningful work across screen, live experiences and creative development. Our approach combines strong structure and operational precision with instinctive storytelling, cultural awareness and a deep respect for the people behind the work.

From film and television production to live entertainment and creative projects, TMA works collaboratively to build environments where ideas can develop with clarity, authenticity and care.

At the centre of everything we do is a commitment to thoughtful collaboration, considered execution and work that connects with people in a genuine way.

Film and Television Producer

Tina works across film and television, with experience spanning independent productions through to mainstream blockbuster film environments, including series with established cult and global fan followings.

Working within productions of this nature requires a considered approach to privacy and discretion. This is aligned with TMA’s broader practice philosophy and where applicable, the confidentiality obligations established through production agreements and non disclosure agreements.

Scripts, story material, filming locations, cast and crew information and details of Tina’s own involvement may be confidential or otherwise restricted from public disclosure. Where productions attract highly engaged audiences, careful management of information also helps protect locations, working environments, unreleased storylines, performers, productions and crew.

For this reason, Tina maintains a deliberately discreet public profile around much of her production work, with project involvement shared only where appropriate, authorised or publicly released by the relevant production.

Her producing practice is hands on, with active day to day involvement spanning the full creative and production lifecycle, from early conception and development through financing strategy, pre production, filming, post production, completion and the continuing life of a project.

Her approach is multidimensional and highly considered, combining creative vision and instinct with operational leadership and an understanding of how the many creative, practical and commercial elements of a production influence one another.

Detailed preparation is central to her practice. Tina works to understand a production as a whole, anticipating its needs, challenges and possibilities well before they become visible and developing the structures required to support the creative work as it evolves.

Her producing practice has developed through years of creative, operational and production experience and continues to evolve with each project. She brings together creative understanding, practical execution and considered decision making while remaining attentive to the people, relationships and environments behind the work.

At its core, her approach is simple: to understand the whole, protect the integrity of the work and carry an idea from its earliest conception into its strongest realised form.

Select Project Development
On a limited basis, Tina develops bespoke production frameworks, financing pathways, investor engagement structures, stakeholder structures and production systems for projects she is closely involved with. Supporting projects from conception and development through financing strategy to production readiness.

Intimacy Coordinator

Tina works with filmmakers to bring authenticity and emotional truth to scenes of intimacy, vulnerability, and connection. Her practice is grounded in safety, consent, and creative collaboration ensuring every moment on set is approached with sensitivity, professionalism, and purpose.

With a culturally grounded approach, Tina creates an environment where performers feel safe and supported as they bring their characters to life. She manages the space with care limiting scenes to essential crew to preserve focus and privacy, guiding consent conversations, and directing chemistry reads to build trust and rapport between performers.

Her work bridges artistry and advocacy: protecting the wellbeing of the performer while preserving the integrity of the story. The result is storytelling that feels honest, connected, and deeply human intimacy shaped not by risk, but by respect.

Operating Globally • Privacy

“Global” within TMA refers simply to operational adaptability and willingness to travel where productions, collaborations or project requirements may lead. It is not intended to imply exclusivity or distance, but rather flexibility, responsiveness and commitment to the work itself.

TMA currently operates independently and is not represented by external management in its present format. This structure is intentional and supports direct communication, discretion, safeguarding integrity and carefully managed operational environments aligned with the philosophy the practice was built upon.

This is not a criticism of agencies or management representation, which continue to serve an important role across many areas of the industry. TMA’s structure simply reflects the specific relational, operational and safeguarding approach underpinning the practice in its current form.

Visibility is approached with the same level of care applied to the work itself.

Due to the nature of productions, scripts, set locations, cast and crew information including aspects of TMA’s own involvement elements of the work are often subject to confidentiality, privacy and safety considerations. Risks associated with uncontrolled visibility may include unauthorized sharing of locations, disruption to working environments, crowding at sets, plot exposure and unwanted attention directed toward performers, productions or crew.

For this reason, behind the scenes content, production activity and performer proximity are shared selectively and intentionally, rather than maintained as a continuous public-facing output.

Privacy, discretion, safety and controlled visibility form an important part of TMA’s operational framework not only through obligations attached to the work itself, but also as an extension of the philosophy underpinning the practice.

Restrained visibility is therefore considered an intentional aspect of TMA’s approach: safety, trust and privacy are embedded into the work, rather than performed around it.

Music

Tina works across music production, composition and development, creative direction and selected A&R development, existing quietly not publicly. Drawing on a lifelong background in musicality, performance, radio, recording environments and live entertainment.

Her approach is collaborative and artist led, bringing together creative instinct, technical understanding and an appreciation of how music can evolve across recorded, live and visual environments. Tina’s work has developed organically through longstanding creative relationships with recording artists and their teams, with discretion and trust remaining central to her practice.

Music & Live Entertainment

Much of Tina’s formative training was accompanied by classical and live piano, establishing an instinctive connection between music, movement and emotional expression from an early age.

As her involvement in dance developed, Tina began working with music practically as well as performatively. Teaching and choreographing required her to create, select, edit, cut and restructure tracks for classes and stage performances, developing an understanding of how music can be shaped around movement, timing, audience experience and the requirements of a particular performance.

Her experience later expanded into radio, where she studied broadcasting, worked on air and developed practical familiarity with audio editing, mixing and broadcast production. This technical exposure complemented her performance background and gave her another perspective on how recorded sound is constructed, communicated and experienced by an audience.

Over the years, Tina has also spent considerable time within professional recording environments and sessions, working alongside recording artists and contributing creative perspective. Rather than approaching music from a single discipline, her understanding has developed through repeated exposure to the different environments in which music is created, recorded, performed, produced and presented.

Her approach to music today reflects that multidisciplinary background.

About our Founder

Tina Moors is an Australian film producer and intimacy coordinator working across film, television and the broader creative industries. Her experience spans Australian and international productions, from independent projects through to mainstream blockbuster films.

Raised between island culture, performance and the ocean, Tina’s creative foundation began early. Trained in acting, jazz, tap and ballet from the age of three, she developed a deep understanding of rhythm, movement, expression and audience connection. Her background across theatre, screen, radio, modelling, sketch art, painting and commercial work shaped both her visual language and her instinct for connection centred storytelling.

Alongside her creative career, Tina built corporate experience within operational leadership environments across executive and venue management, governance and event delivery. Her experience includes broadcast and live operations with Channel 7 and Stadium Australia.

This dual background gives Tina a rare ability to move fluidly between structure and artistry, balancing logistics, creative vision, emotional awareness and operational precision. Her work is grounded in calm leadership, discretion, professionalism and care.

Much of Tina’s work developing TMA took place quietly over time, grounded in observation, operational experience and a long term commitment to building trust and respect within the industry. Rather than positioning the work publicly in its early stages, her focus remained on set privacy.

As the scope of the work evolved, Tina recognised the importance of contributing more openly to conversations surrounding performer welfare, creative safety, privacy and responsible production practice.

Tina founded TMA after recognising a growing need for safer, more accountable creative spaces within the entertainment industry. Her practice is grounded in discretion, respect and the belief that safety extends beyond physical set procedures to include emotional, environmental and reputational care.

A strong emphasis is placed on performer privacy, client confidentiality, closed set integrity and the protection of production environments both on and off set. This includes thoughtful approaches to set privacy, location privacy, recording restrictions, communication boundaries and the careful safeguarding of sensitive creative processes throughout all stages of production.

Her approach extends beyond scene choreography, embedding performer welfare, communication systems, behavioural awareness and production safeguards into creative practice from pre production through to delivery.

Over time, Tina has developed a series of internally embedded frameworks and operational protocols designed to support both safety and creative integrity across stage and screen environments. These include processes relating to performer welfare, scope of engagement, workplace and social conduct, closed set procedures, pre production consultation, transportation and location protocols, implementation and reporting structures, child performer safeguarding, weapons and firearms awareness procedures, recording restrictions on and off set, Code White response planning, logistical oversight and communication practices surrounding immersion, identification and method based performance work.

Her practice is built on the understanding that creative safety is not about limiting artistic expression, but about establishing thoughtful structures that allow performers, creatives and production teams to work with greater trust, clarity and confidence.

Today, Tina’s work spans creative production, intimacy coordination, live experiences and strategic creative oversight for stage and screen projects. Through TMA, she continues to develop modern frameworks that bridge artistry, governance, performer advocacy and responsible production practice while supporting a more sustainable future for the industry.

Her work blends artistry, governance, and welfare to redefine responsible storytelling in the industry.

Outside of her work across stage and screen, Tina holds a longstanding connection to the ocean and the natural world. Her passion for ocean conservation, environmental awareness and marine life protection continues to inform both her personal philosophy and creative perspective.

Raised closely connected to nature and island culture, Tina views the environment not only as a source of inspiration, but as something deserving of care, respect and long term stewardship. She is passionate about free diving, with the ocean remaining a grounding presence within her life influencing her visual sensibilities, creative process and broader understanding of balance, responsibility and connection.

This connection to the natural world continues to shape the quieter foundations of her work, reinforcing values of awareness, respect, sustainability and care across both personal and professional practice.

Ocean Conservation

The ocean has always been deeply personal to Tina.

Born in Samoa and raised in Australia, her connection to the ocean was shaped through culture, family, community and lived experience from an early age. Growing up around island life taught her that the ocean is not simply scenery, it is interconnected with identity, wellbeing, sustenance, spirituality, heritage, and survival.

In Polynesian culture, the ocean has long represented navigation, discovery, livelihood, ancestry, and connection between communities across generations. This understanding fostered a lifelong respect for marine environments and the delicate balance that exists within them.

Tina’s interest in ocean conservation developed naturally through this relationship with the sea. Some of her earliest memories involve watching family members free dive, spending time around oceans and waterfalls, and developing a deep appreciation for the natural world and the ecosystems that sustain it.

Over time, this evolved into a strong personal philosophy centred around environmental respect, awareness, and responsible interaction with marine life.

Having spent time swimming with sharks and observing marine environments closely, Tina strongly believes in respecting them within their natural habitat without unnecessary interference. She advocates for mindful interaction with marine life and believes conservation begins with education, awareness and understanding humanity’s relationship to the environment around us.

For Tina, ocean conservation is not performative or trend driven. It is an extension of culture, memory, responsibility and connection grounded in the belief that nature should be respected, protected, and experienced with care.

Through TMA, Tina hopes to continue supporting conversations around environmental awareness, ocean protection, cultural connection and the importance of preserving the natural world for future generations.

Automotive Heritage

Tina’s appreciation for cars began long before she was licensed to drive. Raised in a family where mechanics, restoration and craftsmanship were part of everyday life, she developed an early respect for the engineering, history and culture surrounding the automotive world.

Her grandfather worked as a mechanic and owned a restaurant and shop. He cared for a collection of American classics, motorcycles (including a beloved Harley) and everyday vehicles, while other members of her family continue to restore and maintain classic cars today.

Her mother has funny stories about getting in trouble after taking one of the cars out for a secret spin.

Growing up around workshops and family conversations about engines, restoration and driving fostered a lifelong appreciation for vehicles not simply as transport, but as stories of design, heritage and craftsmanship.

While her own automotive journey has evolved over time, Tina’s interest has never centred on status or ownership. It remains rooted in curiosity, mechanical appreciation and the communities that preserve automotive history for future generations.

Tina connected with an international car club community of women who share a genuine appreciation for automotive culture, craftsmanship and driving. She values these connections not for status, but for their grounded, welcoming spirit and shared respect for the people, stories and heritage behind the vehicles.